8.0尼古拉·科斯特-瓦爾道,索倫·莫靈,蘇絲·威爾金斯,帕普麗卡·斯汀,艾瑞克·艾伯納尼,蓋·皮爾斯,托馬斯·加比利爾森,卡里斯·范·侯登,Esben Dalgaard Andersen,雅各布·烏爾里克·羅曼,伊利亞斯·阿達布,阿達蘭·埃斯邁利,尼可拉斯·布若,碧姬·伊萊格姆,伊利亞斯·奧吉亞,尤尼斯·貝希爾,胡安·阿羅卡,杜菲·阿爾-加布爾,Truus de Boer,埃拉·瓊·昂拉爾,強·朗格
Ingmar Bergman may have meant the tank rumbling down the empty night street in The Silence as a phallic symbol. But if he did, it was a foolish thought. (“Never trust the teller, trust the tale,” said Lawrence.) Taken as a brute object, as an immediate sensory equivalent for the mysterious abrupt armored happenings going on inside the hotel, that sequence with the tank is the most striking moment in the film. Those who reach for a Freudian interpretation of the tank are only expressing their lack of response to what is there on the screen.