1.0馬德鐘,陳煒,湯洛雯,何廣沛,賴慰玲,姜大衛(wèi),蔣家旻,徐榮,古佩玲,黃庭鋒,楊卓娜,白彪,郭柏妍,梁證嘉,黃子雄,陳庭欣,吳香倫,容天佑,姜麗文,朱匯林,麥大力,袁鎮(zhèn)業(yè),羅毓儀,馮素波,李天縱,翟鋒 William Chak,譚坤倫,林正峰,潘冠霖,曾健明,關偉倫,彭翔翎,陳嘉輝,羅利期,蔡國慶,區(qū)軒瑋,莫家淦,鄧永健,梁珈詠,黃碧蓮,陳苑澄,泰臣,吳子沖,陳熙蕊,梁雯蔚,張漢斌,魏惠文,謝可逸,李善恒,吳瑞庭,黃浩霆,馮康寧,梁皓楷,邵卓堯,麥皓兒,李嘉晉,馬俊杰,朱凱婷,黎彼得,劉桂芳,羅鴻,郭浩皇,
Perplexity, surrealism & absurdism in a musty, shabby & filthy atmosphere. Many signs inaugurate early on the sheer queerness of whatever revolves around Barton Fink - his own madman's facial expressions, a pitiful & empty hotel, faint sounds that obsessessively bother only him, dubious characters & personalities in Hollywood. But the viewer can still hang in this mess, and somehow (with a little effort) make some sense of what's happening. It's only towards the last third that the increasing contradictions explode into no(n)-sense. The only - and cheap - way to read the movie would be that most of these irreconciliable scenes are in fact dreams or hallucinations. Disappointing.