最近在讀Cruel Optimism。覺(jué)得與這部電影有頗多呼應(yīng)之處。Lauren Berlant 說(shuō)當(dāng)代生活創(chuàng)造了情景喜劇的對(duì)應(yīng)物情景悲劇。前者是日常輕微脫軌的小情況創(chuàng)造出無(wú)傷大雅的笑料,而后者則是日常與它的全面潰散只有一步之遙。(The subject’s world is fragile beyond repair, one gesture away from losing all access to sustaining its fantasies.)